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A writer, freelance translator, and an enthusiast photographer. I’m also a Mac consultant and conservator.
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People and resources added to my reading list in 2025

2026-02-13 19:19:19

Welcome to the thirteenth instalment of my annual overview of my most interesting discoveries made during the previous year. A few months ago, a friend of mine remarked that the title of this series of posts should be updated, because instalment after instalment, my list of things to actually read has become shorter, and the list of resources to watch has become longer. Maybe you should just say, “People and resources added to my watch list”, they suggested. But ‘watch list’ gives me bad surveillance vibes, and discovering and suggesting new blogs always has priority for me, so ‘reading list’ it is. Or perhaps I should go back to the wording of the first post of the series, published in early 2013 — Some interesting resources I discovered in [year]. We’ll see.

Apologies for the slightly navel-gazing introduction. 2025 was another ‘difficult’ year if you hadn’t guessed from articles like My 2025 in review, and Not fatigue, but disconnection; a year where I began to revisit older habits that used to stimulate me more and kept me from looking at screens all the time. Among these, reading physical books and engaging in more active music listening by actually sitting in my other studio (where I keep the bulk of my library and my hi-fi stereo), and listening to whole albums while keeping a notebook handy in case this activity triggered some new ideas or inspiration for my creative writing.

This and the promise I made to myself to be more selective in what I actually decide to add to my repository of resources-worth-keeping, resulted in yet another short overview.

Blogs

  • The website of V.H. Belvadi. I discovered Mr Belvadi after an acquaintance passed me a link to this piece, The death of an argument — Why analogies are best used sparingly. I enjoyed it and liked his analysis, so after reading I started exploring his site. As you may recall (or not), in last year’s instalment I wrote, You know what happens when you get even more selective? That maybe you follow a link to a blog article, and you like the article, but then you explore that blog further and you realise that such article — and perhaps a couple more — is the only highlight of that blog, and you start wondering, “Is this website worth adding to my RSS feeds, or should I just share the link to that specific article and let others decide?” In most cases, I’ve ended up bookmarking & sharing articles instead of adding blogs to my reading list. This was definitely not the case with V.H. Belvadi. He writes consistently well, and consistently interestingly about a varied range of topics. I encourage you to check out his website and add him to your RSS feeds.
  • The website of Jason Velazquez. It all began with someone I follow on Mastodon, who boosted a post by Jason I enthusiastically agreed with. I’m a curious person, so first I checked Jason’s profile to have a general feel of the kind of things he posts about. I kept liking what I saw, so the next step was to visit his website, read the article referenced in one of his most recent Mastodon posts (Hank Green And The Fantastical Tales of God AIs), and continue to read other pieces by Jason. I invite you to read that article and then explore Jason’s website, which is a delight to navigate. Jason’s writing is meaty, evocative, pragmatic, and I know these adjectives may feel a bit contradictory — I’ll let you visit his site and see for yourselves.

What these two websites have in common is that they’re designed to look, feel, and be navigated like books. I’m a bit jealous of such designs, because that’s how I always viewed my own website, but my limited coding knowledge has always prevented me from reaching these lovely results. (Suggestions of using ‘AI’ tools for this purpose will lead to excommunication; you’ve been warned).

YouTube channels

After last year’s intervention, the situation with my excessive number of YouTube channel subscriptions has normalised and returned to healthier numbers. As you’ll see below, I did indeed add a dozen new subscriptions, but a lot of the following channels have a somewhat relaxed publishing schedule, so things rarely get overwhelming.

Gaming-related

  • Riloe and Ratat are two creators whose channels focus mostly on gaming essays. Riloe’s essays are more about tactical and extraction shooters, while Ratat talks more about horror games, and I find his analyses of Supermassive Games’ Dark Picture Anthology games to be well worth a watch.
  • Euro Brady — Brady is a therapist, and provides a very interesting perspective and a fresh angle to the usual ‘let’s play’ style of gaming videos. Unlike so many other letsplayers, Brady doesn’t rush through game levels, lore, etc. but instead frequently stops and analyses the personality and psychology of the various game characters. What’s really great, in my opinion, is that talking about the character’s psychology or struggle before a certain situation in the game isn’t an end in itself, but a starting point to talk about mental health in general. Brady’s digressions have often helped me understand certain behaviours in real life, certain interpersonal dynamics and interactions we may find ourselves in. Follow him if you appreciate this kind of insights, more than watching someone reach the end of a game. The game is not really the point here.
  • nocaps — Indie games reviews and overviews. I really like her calm and pleasant personality.
  • itsTedBrooks — Ted has a small channel that started with filmmaking-related content and turned its focus to gaming essays over the past year. His videos are on the short side, well scripted, edited, and shot. I discovered him thanks to YouTube’s algorithm, which one day suggested I watch We don’t play games anymore… We just argue about them. I turn that suggestion to you. If you like it, then watch Ted’s video about the game CONTROL, and then subscribe!

Tech-related

Two very different approaches to technology here:

  • Janus Cycle — The best thing to introduce you to this channel is its very own description: Exploring retro devices from the pockets of history. Janus Cycle is an eclectic journey into technological wonders of the ages. Follow along with detailed looks into a wide range of intriguing devices, while appreciating the marvels of technological miniaturization. Going deep into the technological aspects that makes each device unique. Following their stories into inventive and sometimes esoteric ways they function or affected our lives. Old mobile phones, PDAs, computers, assorted devices… This is a channel for the tinkerer and the person interested in discovering more about the technology behind many devices from the past 2–3 decades. A real gem, in my opinion.
  • Our Own Devices — From the channel description: Our Own Devices is a channel dedicated to the fascinating world of vintage technology, and the many elegant and ingenious ways our ancestors solved even the most complex technical problems. [Update: YouTube has just removed this channel because “it violated our Community Guidelines”. I wonder how, given that the channel was a fascinating exploration into the workings of devices such as mimeographs, portable record-players, radios, and many many other items from the 20th century.]

Other

  • Voynich Talk — I’m obsessed with the Voynich Manuscript. This is probably one of the best YouTube channels about it.
  • The Late Late Horror Show — Mainly movie reviews and nightly streams of old time radio shows.
  • Quarantine Collective — From the channel description: The Quarantine Collective is the home for a new kind of philosophical pedagogy. Instead of experts telling you how things work, we encourage discussion, transversality, and rely on the participation of every skill level. Join a live stream as we make our way through texts collectively, with the support of experts, academics, and hobbyists alike. The main force behind the channel is Brooks Brown, and the channel isn’t exclusively focused on philosophy. Many of the Quarantine Collective’s ‘After Hours’ streams are more free-form, with the host reacting to other YouTube videos and bringing his wealth of knowledge and common sense to the table. He has also made one of my favourite video essays on LLMs and ‘artificial intelligence’: No, AI is not Sentient (It’s just more Capitalism)
  • Anna Bocca — Anna’s video essays are mainly focused on economy and society. She is a great communicator and I really like how she edits her videos, patiently crafting the visuals and infographics. Me and economics are like water and oil, and she managed to make me understand a few things that normally would have flown over my head…
  • baby.murcielaga — Fantastic music compilations, mainly ambient and vaporwave, but not limited to that. I have no particular favourite to recommend, just dive in and explore.
  • Chris and Jack — They are an amazing duo making comedy sketches that feel more like short films. Great humour, great scripts, and very well produced material. My first exposure to them was this: Sci-Fi Movies never pick the right year. You’re welcome.

Podcasts

Another year, another round of copying-and-pasting the same quote from a few years ago:

In 2019 I unsubscribed from all the podcasts I was following, and I haven’t looked back. I know and respect many people who use podcasts as their main medium for expression. My moving away from podcasts is simply a pragmatic decision — I just don’t have the time for everything. I still listen to the odd episode, especially if it comes recommended by people I trust. You can find a more articulate observation on podcasts in my People and resources added to my reading list in 2019.

If you’re wondering why I keep the Podcast section in these overviews when I clearly have nothing to talk about, it’s because to this day I receive emails from people un-ironically asking me for podcast recommendations.

Useful Web tools

  • PiliApp — A collection of fun and cool Web tools.
  • ColorPalette Pro — Load it in your browser. Play around. Yes, it’s about colour palettes.

My RSS management

Yet again, nothing new to report on this front. I’m still using the same apps I’ve been using on all my devices for the past several years, and I haven’t found better RSS management tools / apps / services worth switching to. In my previous overviews, I used to list here all the apps I typically use to read feeds on my numerous devices, but ever since I broke my habit of obsessively reading feeds everywhere on whatever device, I’ll only list the apps on the devices I’ve used over the past year or so. If you’re curious to read the complete rundown, check past entries (see links at the bottom of this article):

  • On my M2 Pro Mac mini running Mac OS 13 Ventura: NetNewsWire.
  • On my 17-inch MacBook Pro running Mac OS 10.14 Mojave, and on my 13-inch retina MacBook Pro running Mac OS 11 Big Sur: NetNewsWire 5.0.4 — A slightly older version of this great RSS reader.
  • On my other Intel Macs running Mac OS 10.13 High Sierra: Reeder and ReadKit.
  • On my iPad 8: UnreadReederNetNewsWire for iOS, and ReadKit.
  • On my Android phones — Nothing Phone 2a and Microsoft Surface Duo: the Feedly app.
  • On my iPhone SE 3, iPhone 8, iPhone 7 Plus, iPhone 5s, iPhone 5, iPad 3: Unread. (Though on the iPad 3 Reeder seems to be more stable and less resource-hungry).

Past articles

In reverse chronological order:

I hope this series and my observations can be useful to you. Also, keep in mind that some links in these past articles may now be broken. And as always, if you think I’m missing out on some good writing or other kind of resource you believe might be of interest to me, let me know via email, Mastodon, or Bluesky. Thanks for reading!

→ The real AI problem no one is talking about

2026-01-31 04:54:33

The other day, YouTube’s algorithm struck again. It suggested a video podcast episode from a creator with a still small channel, Josh Allan Dykstra. The title, while sounding moderately clickbait‑y, still made me curious to check out the video:

The Real A.I. Problem No One Is Talking About (Who Buys Your Stuff, Robots?)

I’m always interested in intelligent analysis debate around ‘AI’ topics, and Dykstra isn’t someone who’s profiting from ‘AI’, so his analysis doesn’t look biased to me.

Conveniently, Dykstra also provides transcripts of his podcast episodes on his site. Here’s the one for this video.

He poses the question right at the start:

Today, let’s start with the wrong question.

Everyone keeps asking: “Will A.I. take our jobs?”

I get it. That question is terrifying because it’s personal. But it’s also incomplete.

There’s a better question than if A.I. will take jobs — because, spoiler: it will, and it’s already happening (you’re noticing the hiring slowdown, right? [in the US] 2025 was the worst year for hiring since 2009, with the exception of COVID year 2020).

I don’t want to minimize the impact of A.I. taking jobs (it’s just beginning and it’s going to be enormously disruptive) AND there’s actually a bigger question lurking in the background, namely: What kind of economic system tries to eliminate human labor without replacing income… and still expects the world to keep functioning as-is?

I’m not hearing this talked about enough, so we’re going to talk about it today.

Here’s the crux of it: if A.I. works the way capital hopes it will, capitalism won’t break because A.I. fails. It’ll break because A.I. succeeds.

Why?

Because if you’re running a business, you can’t fire your customers and then expect them to buy your stuff.

There’s a simple loop that runs the modern economy: Labor → wages → income → consumption → revenue… and then back around again.

A company pays labor (that’s you) in wages which become your income. You have some left over so you buy things (consumption) which is another company’s revenue, which they use to pay their labor. Feels familiar, right?

In the way that modern life currently works, this loop is NOT optional. It’s what we might call “load-bearing” — it’s holding up the house. We break or pull out one part of the loop and things will NOT function the way they do now. Period.

[…]

Losing our jobs wouldn’t be so scary, of course, if we had another way to get income. The problem is most of us don’t. Our labor is what we trade to get to income. […]

As in all technological disruptions, capital is going to use A.I. to eliminate labor because labor is… inconvenient.

I get it — we humans are dreadfully biological — but without labor people don’t have income which means they can’t participate in consumption… which means Capital is also automating itself out of relevance. Because this time, the goal of the technology is quite literally to do everything a human can do (this is probably the most generally accepted definition of AGI).

We all see the problem, right? If no one has any money, who actually buys the stuff your robots make, Capital?

The strange irony here is that this happening wouldn’t actually be capitalism failing, it’d more be like capitalism completing its own logic — like the snake that kills itself by eating its own tail.

I’ve tried to summarise Dykstra’s argument the best I could, but I suggest you watch the whole podcast episode (it’s just 20 minutes long) or read the whole transcript. The question he poses is something I’ve been pondering myself ever since this ‘AI’ craze began to propagate.

I’m still not sure whether the doom-and-gloom scenario of ‘AI’ is coming for our jobs is really going to materialise in full-dystopian mode, bringing that high level of disruption Dykstra talks about. But even if we talk in hypotheticals, this is a problem worth considering. If entire categories of workers lose their job, they stop gaining money. If they stop gaining money, they stop spending money, and that means that other people or companies will stop earning revenue. That whole loop Labour → Wages → Income → Consumption → Revenue → Labour, etc. is going to fall apart.

I can’t wait to hear the ‘solution’ from some sociopath techbro.

The digicams return

2026-01-22 23:57:03

Elephant Memory Systems entry №002

In recent years, the term digicam has come to indicate more than just ‘a digital camera’, as it was first used to refer to digital cameras as opposed to film cameras. Now the term also references a specific type of device: compact digital cameras produced from the late 1990s to the late 2000s, typically using older CCD sensors. This has been fuelled by a general rediscovery of the vintage, imperfect, more organic look of the photos these cameras produce.

As someone who has been into photography since the 1980s, and who has used these compact cameras when they were the latest and greatest in digital photography, this ongoing trend is more than just a fad or just another excuse to achieve originality or to look, well, trendy. And it isn’t fake nostalgia either. This type of photography brings back real memories.

The serendipity of rediscovering digicams and the digicam æsthetic as a personal endeavour slightly before this became a trend on Instagram, YouTube, and elsewhere is what essentially spared me from wasting a lot of money on 20-year-old cameras that should cost just a few bucks second-hand, but whose prices have been horribly inflated thanks to a bunch of photography ‘influencers’ babbling about ‘the film look’ these old, little CCD cameras supposedly give you.

I currently have more than 30 of these digicams, and I had a lot of fun taking street snaps around the city between 2021 and 2024. In mid-2024, however, my wife and I finally bought an apartment and for a few months were busy with everything related to buying and moving to a new home. In short, my digicam collection has mostly lain neglected for most of 2025. Further, last year my creativity in general took a hit also because of the stuff I talked about in My 2025 in review.

But during the Christmas holidays, as I finally finished reorganising hundreds of family slides to show more about my family and childhood to my current family (my wife, and her brother and sister), a renewed yearning for getting back to photography as a whole, and for dusting off my digicams again, returned in full. These days I’ve been busy recharging many camera batteries and taking out a couple of digicams each day with me as I went out and about.

The first two cameras I revived have been the Sony Cyber-shot DSC-L1 and the Olympus FE-250. The DSC-L1 is a very small, mostly metal, camera, that is rather comfortable to use despite its size. It has 4.1 megapixels and was made in 2004. The Olympus, another very pocketable camera, is from 2007 and has 8 megapixels instead.

I tried to capture the same scene with both cameras, but honestly, this is not a great sample of what these cameras can do.

Sony Cyber-shot DSC-L1

Olympus FE-250

The Sony DSC-L1 is rather capable at handling difficult light (a mix of natural and artificial, like in the first photo) and has a good auto white balance (the lighting in the second photo looks very similar to what I was seeing).

 

 

The Olympus FE-250, like all the (many) Olympus cameras I own, delivers very nice colours.

 

 

The second pair of cameras I took out shooting have been the Sony Cyber-shot DSC-W370 (14.1 megapixels, 2010 — above) and the Sony Cyber-shot DSC-T77 (10.1 megapixels, 2008 — below).

 

That plastic tab attached to the T77’s strap is in fact a mini stylus, as the T77’s back is entirely taken up by a 3‑inch 16:9 capacitive touchscreen. The only physical controls are the shutter button, power button (you also turn the camera off/on by sliding the front panel), review button and zoom rocker.

Sony Cyber-shot DSC-W370

Sony Cyber-shot DSC-T77

The DSC-W370 cost me almost nothing, as it was part of a box of 12 assorted cameras I got on eBay for €30 or so, sold as ‘untested, spares or repairs’ — and 11 of them turned out to be working fine, either needing new batteries or chargers. This Sony just needed its charger.

The DSC-T77 was purchased at a second-hand shop for the princely sum of €12. Both purchases were made in 2021. This camera was originally available in a few colours. The promo image gives iPod vibes (credit: DPReview).

It comes in colours…

At the moment I have the third pair of digicams in my bag: the Canon PowerShot G2 (4 megapixels, 2001) and the Fujifilm FinePix E550 (Super CCD HR sensor with 6.3 megapixels, 2004). Both these cameras have taken many very good pictures in the past, and it’s been great getting back to them these days. Maybe I’ll show more sample photos in a future ‘Elephant Memory Systems’ entry.

 

See the EMS tag for more short-form posts of this kind. Read this entry for the origin story of this series of posts.

My 2025 in review

2026-01-15 03:41:55

2025 has been the year where something broke in my long-standing relationship with technology. That something could be summarised with the word trust but ‘trust’ is just the core of it. Much like an earthquake, its effects aren’t just limited to its epicentre. In November I already wrote extensively about this feeling of progressive disconnection from tech, but that didn’t come out of nowhere, and the general sense of fatigue I repeatedly experienced before it can’t be disregarded.

This accumulation of discomfort, fatigue, disconnection that culminated in my fracture with tech, did turn 2025 into a strange year. A year where I’ve felt unfocused, inward-looking, and in need of a restructuring, so to speak. This vague feeling of unease and unrest affected pretty much all of my interests. It’s been like when you stop and finally take a hard look at all your habits, your routines, the things you’ve been taking for granted, the direction you’ve been inertially following, and start really re-evaluating everything.

For someone with many different interests and a constant intellectual curiosity such as myself, this internal grinding to a halt for a long-overdue in-depth check-up has been anything but easy. But it had to be done, and it’s still ongoing.

I feel it’s a painful, yet important stage where you start questioning your identity — not in a psychological sense, but more like in terms of what defines you, and what you allow to define you. What are the interests that take up most of your time and energies? Do they deserve to be taking up all that time and all those energies? What lies behind these creative blocks? Are there other routines that hamper what you feel should be your main endeavour? Why do priorities suddenly feel all wrong? And so on and so forth.

I have been, for many years, at the intersection of technology and liberal arts, just like Steve Jobs viewed Apple’s position in the industry. I have been in love with writing, with text, and with the tools for writing and handling text for most of my adult life. At first those tools were entirely analogue; then, as technology progressed and computers became powerful, versatile, and ubiquitous as they are today, my creative tools evolved accordingly.

When tech becomes one of your main interests, you start developing an intoxicating fascination with tools — both in the hardware and software sense. And also beyond computing per se. It’s when in photography you start obsessing over gear and get bitten by the ‘Gear Acquisition Syndrome’ bug. To the point that your actual photography gets thrown in the background while you’re searching for the perfect camera or lens or focal length or accessory or post-processing software…

To the point that your actual creative writing is pushed aside to make space for too many attempts at creating the perfect writing workstation or distraction-free writing corner or searching for the perfect ancillary tools for taking notes and writing outlines for your current or next novel, novella, short story, etc.

It is indeed a long story, but for my and your sanity I’ll keep it short and hopefully to the point — in that fracture with tech that opened wide in 2025, together with the fatigue, the broken trust, the disconnection, the definitive realisation that big tech companies are not on our side, not even Apple, there was also the hurtful revelation that tech has been commandeering and monopolising my life much more than I’ve cared to admit to myself. That that famous intersection of technology and liberal arts has actually been a terrible crash at an intersection, where technology has been a big truck obliterating the small liberal-arts economy car.

Mind you, I’m not putting the blame squarely on technology here. I’ve made my share of bad decisions. I’ve let inertia take over when I probably should have taken matters into my own hands. I am solely responsible for the time I wasted caring too much about things that ultimately do not really define me. I got too intoxicated with tech as something to focus on instead of treating it like a means to an end.

But, especially for the past 10–15 years, technology’s sphere of influence has certainly increased, and with it its gravitational pull. Having to stay constantly and reasonably up-to-date with tech — both for my day job and to provide sensible commentary here — meant dedicating to tech a portion of my daily routine that has only been increasing with time. And for a long while I haven’t minded that. I’ve told myself many times that tech is kind of unavoidable today, and after all I have several interests that are closely related with tech, like user interfaces, user interaction, usability and accessibility.

This was all well and good as long as I felt that technology and the tech industry were on my side and had my interests as a user and customer at heart. During 2025 a lot of that came crumbling down. Again, it’s not that something specific happened last year. As I said before, the fracture came as a result of cumulative forces and realisations. When the company making the ecosystem you’ve been enjoying for at least three decades loses its way; when you see a lot of things coming and yet what eventually comes is even worse than you expected, and you just can’t ignore or downplay it anymore, the kind of resulting destabilisation is rather foundational at a personal level.

And how can one enjoy tech when it comes to this? When companies start blatantly pushing their agendas on you, directly or indirectly. When they start filling software you rely upon with crappy user interfaces, useless features, ‘artificial intelligence’ impositions nobody really asked for. When their attitude becomes, directly or indirectly, user-hostile.

I really don’t want to sound overly dramatic, but it’s been a few months now where I’ve felt a nagging question pounding in my head — Where to go from here?

My work and creative headspaces have to be both reconfigured. I don’t see myself purchasing more or new Apple products for the time being, yet at the same time I can’t just leave the whole ecosystem behind. I remember how in the 1990s a lot of people — myself included — had to tolerate Windows at work while taking refuge in the Macintosh platform for creative and leisure-related activities. While today I’ve come to a point (and perhaps you have too) where I tolerate Mac OS and iOS because I need them for my work, while taking refuge in…

In what, exactly? This is another thing I’ve tried to explore in 2025 and I’m still on it at the moment. I’ve looked into Linux a bit more. I have enjoyed using older Macs with older Mac OS versions and older applications that are still very useful to me today. I have enjoyed my Nothing Phone (2a) and don’t regret my switch to Android in the least. But going back to reading more — and reading more physical books — has been especially grand.

And gaming. I shan’t forget gaming and how therapeutic it has been. And not just a bunch of favourite games. The indie game industry as well, where a lot of indie studios and developers have released products that respect their audience’s needs and intelligence, so much more than what the mainstream tech industry has been doing in recent times. Gaming for the most part has felt like a sane environment to dedicate time and energies to, through game purchases, through the support of certain talented creators producing analyses and critical essays on games and the gaming industry, through directly supporting a few indie game developers, through participating in specific forums where I found a surprisingly non-toxic environment (such a rarity in this day and age). And it’s also been kind of ironic to see a company like Valve announcing products that resonated with me more than whatever Apple is doing now.

When I started thinking about this piece, it didn’t look like what you’ve read so far. I thought about neatly structuring it in sections where I would discuss different aspects of my ‘tech life’ in 2025, fun stuff like ‘my most used apps in 2025’, or ‘the cameras I favoured for my photography’, or ‘the tools I’ve relied upon the most in 2025’… But the truth is that 2025 has been a chaotic, confusing year where I felt as if I lost my sense of direction, technologically speaking. And to reiterate, that fracture I’ve been talking about has weirdly affected a lot of other things, even stuff I’m passionate about — like photography or writing — that should really have been immune to that. But it’s been what it’s been.

Perhaps, more than losing my sense of ‘tech direction’, a more appropriate analogy is that last year I finally realised that I didn’t like or identify with the direction tech has been taking, I got off the ride, and found myself in a new and unfamiliar place, unsure of what to do.

In this particular state of mind, talking about my most used apps in 2025, or the cameras, or the tools, truly feels vacuous and inconsequential. It’s been mostly the same dozen apps I’ve been using for years (Acorn, BBEdit, MarsEdit, iA Writer, nvALT, Find Any File, Raskin [for when I’ve needed a more spatial Finder], Instapaper, Mail, Vivaldi and Orion as main browsers, TextEdit, Skim, TextBuddy, NetNewsWire, IINA, iStat Menus, etc.); among the new-ish tools, I found the Affinity suite, CleanShot X, and LocalSend to be particularly useful and well made. Services have been reduced to just Dropbox, while the only utility my iCloud+ plan provides is in keeping the backup of my several older Macs and iOS devices. That’s it, essentially. As for tools, an old Kindle Paperwhite for reading ebooks, an even older Kindle DX for perusing PDFs, a Boox Go 10.3 e‑ink Android tablet for annotating stuff, and too many other computers and vintage devices to enumerate, which I used for spur-of-the-moment activities or exploration. Boring, tried-and-true solutions I kept close to my chest during this prolonged period of uncertainty.

What lies ahead?

I hope 2026 will bring more focus and clarity as I try to concentrate and find some way out of this uninspired, fuzzy mess. As tech becomes more and more intrusive, both in presence and unwanted features, my aim is to get it out of my face; to reduce its gravitational pull; to seek alternative solutions to Big Tech, such as the small but good stuff made by people who are as tired of and disillusioned with mainstream tech as myself; to try to find refuge in what used to work and be beneficial to my creativity — the analogue, the offline, the tactile and tangible. In short, to try reviving an inner garden that’s been neglected for too long. I have no specific goals or resolutions for the new year except doing my best to prevent it from becoming another 2025.

Vintage calculators

2025-12-30 08:28:49

Elephant Memory Systems entry №001

It was time to do a quick check-up of my vintage calculators, because the last time I did it was before moving and I didn’t remember whether I left batteries inside these or not.

Vintage Casio and Sharp calculators

From left to right:

  • Casio LC-315, introduced in 1980.
  • Sharp WN-100 ‘Wondertopia’, introduced in 1981.
  • Sharp EL-540, introduced circa 1983.

The ‘Wondertopia’ was a regular calculator, but it featured 3 little games: Physical & Mental Reflexes Test, Dice Roll, and Coin Flip.

You could use Dice Roll to roll two virtual dice, which at the time it was very useful since my family lost the two dice we needed to play Monopoly (heh heh). Coin Flip displayed a little ‘coin toss’ animation and then returned heads (○) or tails (●). The reflexes game displayed a series of fast-moving characters/numbers and you had to try and stop them in order to obtain the highest possible number of matches (e.g. 4–4‑4–4 or A‑A-A‑A). Other combinations were rewarded, such as two pairs (e.g. 2–2‑6–6 or 3–7‑7–3), or three of a kind. And there was even an easter egg: by getting the combination E‑L-5–1 (ELSI), the calculator returned: “HAPPY”.

It was basic entertainment, sure, but these were the 1980s!

The three calculators seem fine. The Casio unfortunately had two batteries inside and one leaked, but after a quick scrub with a q‑tip soaked in WD40 everything looks very clean. The Sharp WN-100 didn’t have batteries. I put two LR44 cells I had lying around and it came to life. The EL-540, being solar-powered, turned on as soon as it got enough light.

Not bad for three devices that are 42–45 years old!

By the way, I love the keys on the Casio. Unlike the other two Sharp calculators, they’re not made of rubber, but hard plastic. Much easier to clean and they’ve also stood the test of time rather well.

See the EMS tag for more short-form posts of this kind. Read this entry for the origin story of this series of posts.

 

A new series of short-form posts: the Elephant Memory Systems entries

2025-12-28 22:13:10

 

An Elephant Memory Systems floppy from my archives

An Elephant Memory Systems 5¼″ floppy disk from my archives

Last week I was looking through my archive of 5¼″ floppies and stumbled on a bunch of disks made by this brand, Elephant Memory Systems. These were the first blank floppies I purchased back in the 1980s to use with my Commodore 64. When I last checked their contents in 2018, they were all still accessible. (That tagline, “Never forgets”, may be on to something).

This gave me an idea… for this blog.

Some blogs (like mine) only feature long-form articles. Others have link posts (frequent) interspersed with articles (less frequent). Others mix everything up: articles, links, and all social media status (micro blog). The latter is the kind I like less; they’re too chaotic, at times hard to navigate given the sheer amount of status updates, a mess to follow via RSS.

Some of my articles have been expansions of notes and observations I first shared on Mastodon. But, looking back, I remember some interesting impromptu threads that lasted a few posts, got insightful replies, and then nothing came out of it.

So my idea is this: from now on, any worthwhile thread I write on Mastodon that doesn’t get expanded into a full article on this blog will nonetheless be preserved here as a short-form Elephant Memory Systems entry — EMS for short. (Note the obvious connection Mastodon → Elephant). Where relevant, I will also include the most interesting replies I received in the original Mastodon thread. If they come from private accounts and I think they’re worth sharing, I will ask permission to do so.

In my opinion, this would add a bit of variety to the blog, and slightly increase the frequency I update it, without the mess of having my blog turned into a micro-blog with all my status updates mirrored here.

Those who closely follow me on Mastodon wouldn’t find nothing really new in these updates, but it could be useful to me, for future reference, and to readers of this blog that don’t follow me on social media.

This post is itself the result of a thread I posted on Mastodon a week ago.

Commentary

  • F.P. (via email): Not only do I find the name appropriate, I also like the connection to the old floppy format. If your regular articles as a whole constitute the ‘hard drive’ of your blog, these shorter additions can be like its collection of floppies…


 

While the context should make this obvious enough, I’ll nonetheless state that the reference to the name “Elephant Memory Systems” simply originates from happenstance and nostalgia. It’s merely a label I decided to use to indicate a type of short-form post whose idea started as a Mastodon thread.

 


This was EMS entry №000. See the EMS tag for more short-form posts of this kind.